{"id":14992,"date":"2019-02-06T22:40:01","date_gmt":"2019-02-06T21:40:01","guid":{"rendered":"https:\/\/tuxproject.de\/blog\/?p=14992"},"modified":"2019-02-06T22:40:01","modified_gmt":"2019-02-06T21:40:01","slug":"kurzkritik-mono-nowhere-now-here","status":"publish","type":"post","link":"https:\/\/tuxproject.de\/blog\/2019\/02\/kurzkritik-mono-nowhere-now-here\/","title":{"rendered":"Kurz\u00adkri\u00adtik: Mono \u2013 Nowhe\u00adre Now Here"},"content":{"rendered":"<p><a href=\"https:\/\/tuxproject.de\/blog\/wp-content\/uploads\/2019\/02\/Mono-Nowhere-Now-Here.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tuxproject.de\/blog\/wp-content\/uploads\/2019\/02\/Mono-Nowhere-Now-Here-120x120.jpg\" alt=\"Mono - Nowhere Now Here\" width=\"120\" height=\"120\" class=\"alignright size-thumbnail wp-image-14993\" srcset=\"https:\/\/tuxproject.de\/blog\/wp-content\/uploads\/2019\/02\/Mono-Nowhere-Now-Here-120x120.jpg 120w, https:\/\/tuxproject.de\/blog\/wp-content\/uploads\/2019\/02\/Mono-Nowhere-Now-Here-300x300.jpg 300w, https:\/\/tuxproject.de\/blog\/wp-content\/uploads\/2019\/02\/Mono-Nowhere-Now-Here-150x150.jpg 150w, https:\/\/tuxproject.de\/blog\/wp-content\/uploads\/2019\/02\/Mono-Nowhere-Now-Here.jpg 600w\" sizes=\"auto, (max-width: 120px) 100vw, 120px\"><\/a>Lan\u00adge nichts mehr \u00fcber Musik geschrie\u00adben.<\/p>\n<p>Die japa\u00adni\u00adsche Postrock\u00adband Mono exi\u00adstiert seit 2000 und hat sich inner\u00adhalb ihrer musi\u00adka\u00adli\u00adschen Nische einen Ruf als Band erar\u00adbei\u00adtet, deren Musik man sich durch\u00adaus mal anh\u00f6\u00adren k\u00f6nn\u00adte. Sel\u00adbi\u00adge zeich\u00adne sich dadurch aus, dass sie zumeist v\u00f6l\u00adlig instru\u00admen\u00adtal statt\u00adfin\u00adde und japa\u00adni\u00adsche Mytho\u00adlo\u00adgie zum The\u00adma habe, behaup\u00adtet die Wiki\u00adpe\u00addia. Eben\u00addort fin\u00addet man auch den Hin\u00adweis, dass seit 2018 Dahm Maju\u00adri Cipol\u00adla neu\u00ader Schlag\u00adzeu\u00adger der Band ist und somit erst\u00admals ein Beset\u00adzungs\u00adwech\u00adsel voll\u00adzo\u00adgen wor\u00adden ist. In der neu\u00aden Beset\u00adzung aus Takaa\u00adki\u00adra Goto, Tama\u00adki Kuni\u00adshi, Yoda <em>(sic!)<\/em> und eben Dahm Maju\u00adri Cipol\u00adla spiel\u00adte die Band ihr 2019 ver\u00ad\u00f6f\u00adfent\u00adlich\u00adtes Album \u201eNowhe\u00adre Now Here\u201c (<a href=\"https:\/\/www.amazon.de\/Nowhere-Now-Here-Black-Vinyl\/dp\/B07J35QCSY?tag=hirnfi20-21\" rel=\"nofollow\" target=\"_blank\">Amazon.de<\/a>, <a href=\"https:\/\/tidal.com\/album\/95327432\">TIDAL<\/a>, <a href=\"https:\/\/monoofjapan.bandcamp.com\/album\/nowhere-now-here\">Band\u00adcamp<\/a>) ein, um das es hier gehen soll.<\/p>\n<p>Mit \u201eGod Bless\u201c wird das Album <em>ambi\u00adent<\/em> ein\u00adge\u00adl\u00e4u\u00adtet, jedoch ist das nur die Ruhe vor dem ersten Wind \u2013 die\u00adses <em>intro<\/em> geht \u00fcber in das melo\u00addisch-atmo\u00adsph\u00e4\u00adri\u00adsche \u201eAfter You Comes The Flood\u201c, das mit einem anschwil\u00adlen\u00adden Wider\u00adklang beginnt, bevor das Quar\u00adtett erst\u00admals auf die\u00adsem Ton\u00adtr\u00e4\u00adger los\u00adpost\u00adme\u00adtalt.<\/p>\n<div class=\"lyte-wrapper-audio\" title=\"MONO - After You Comes the Flood\" style=\"width:1280px;max-width:100%;overflow:hidden;height:38px;margin:5px;\"><div class=\"lyMe lyte-audio\" id=\"WYL_L3Plq_c77r0\"><div id=\"lyte_L3Plq_c77r0\" data-src=\"https:\/\/tuxproject.de\/blog\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FL3Plq_c77r0%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\">MONO \u2013 After You Comes the Flood<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/L3Plq_c77r0\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tuxproject.de\/blog\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FL3Plq_c77r0%2F0.jpg\" alt=\"MONO - After You Comes the Flood\" width=\"1280\" height=\"18\"><\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"> <a href=\"https:\/\/youtu.be\/L3Plq_c77r0\" target=\"_blank\">Die\u00adses Video auf You\u00adTube anse\u00adhen<\/a>.<\/div>\n<p>\u201eBrea\u00adthe\u201c hin\u00adge\u00adgen ist ein ruhi\u00adges Gesangs\u00adst\u00fcck, viel\u00adleicht das ein\u00adzi\u00adge in Monos bis\u00adhe\u00adri\u00adger Kar\u00adrie\u00adre, auf jeden Fall aber auf die\u00adsem Album. Es bril\u00adliert mit einem male\u00adri\u00adschen Postrocken\u00adde, und auch das Titel\u00adst\u00fcck wiegt in Sicher\u00adheit, bevor auch es unver\u00admit\u00adtelt los\u00adbricht. In ande\u00adren St\u00fccken, etwa mei\u00adnem der\u00adzeit per\u00ads\u00f6n\u00adli\u00adchen Favo\u00adri\u00adten \u201eMeet Us Whe\u00adre the Night Ends\u201c, f\u00fch\u00adren Mono ein\u00addrucks\u00advoll vor, wor\u00adan es der \u00fcbri\u00adgen Post\u00adrock-<em>Sze\u00adne<\/em> fehlt, n\u00e4m\u00adlich an einem Gesp\u00fcr f\u00fcr den Wie\u00adder\u00aderken\u00adnungs\u00adwert und den sinn\u00advol\u00adlen Ein\u00adsatz elek\u00adtro\u00adni\u00adscher Ger\u00e4u\u00adscher\u00adg\u00e4n\u00adzun\u00adgen. Um eine mei\u00adner Lieb\u00adlings\u00adin\u00adter\u00adjek\u00adtio\u00adnen auch dies\u00admal ange\u00admes\u00adsen anzu\u00adwen\u00adden: <em>Hui!<\/em><\/p>\n<div class=\"lyte-wrapper-audio\" title=\"MONO - Meet Us Where the Night Ends\" style=\"width:1280px;max-width:100%;overflow:hidden;height:38px;margin:5px;\"><div class=\"lyMe lyte-audio\" id=\"WYL_WNh2T-OY14A\"><div id=\"lyte_WNh2T-OY14A\" data-src=\"https:\/\/tuxproject.de\/blog\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FWNh2T-OY14A%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\">MONO \u2013 Meet Us Whe\u00adre the Night Ends<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/WNh2T-OY14A\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/tuxproject.de\/blog\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FWNh2T-OY14A%2F0.jpg\" alt=\"MONO - Meet Us Where the Night Ends\" width=\"1280\" height=\"18\"><\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"> <a href=\"https:\/\/youtu.be\/WNh2T-OY14A\" target=\"_blank\">Die\u00adses Video auf You\u00adTube anse\u00adhen<\/a>.<\/div>\n<p>Als Postrock\u00adal\u00adbum hebt sich \u201eNowhe\u00adre Now Here\u201c musi\u00adka\u00adlisch posi\u00adtiv ab, schon, weil es nicht klingt wie ein Album, das man schon zur Gen\u00fc\u00adge kennt. Klu\u00adge Strei\u00adcher- (\u201ePar\u00adting\u201c) und Bl\u00e4\u00adser\u00adein\u00ads\u00e4t\u00adze (\u201eFun\u00ade\u00adral Song\u201c) an pas\u00adsen\u00adder Stel\u00adle tun ihr \u00dcbri\u00adges. Sch\u00f6n, dass das Musik\u00adjahr 2019 so beginnt!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lan\u00adge nichts mehr \u00fcber Musik geschrie\u00adben. Die japa\u00adni\u00adsche Postrock\u00adband Mono exi\u00adstiert seit 2000 und hat sich inner\u00adhalb ihrer musi\u00adka\u00adli\u00adschen Nische einen Ruf als Band erar\u00adbei\u00adtet, deren Musik man sich durch\u00adaus mal anh\u00f6\u00adren k\u00f6nn\u00adte. Sel\u00adbi\u00adge zeich\u00adne sich dadurch aus, dass sie zumeist v\u00f6l\u00adlig instru\u00admen\u00adtal statt\u00adfin\u00adde und japa\u00adni\u00adsche Mytho\u00adlo\u00adgie zum The\u00adma habe, behaup\u00adtet die Wiki\u00adpe\u00addia. Eben\u00addort fin\u00addet \u2026<\/p>\n<p><a href=\"https:\/\/tuxproject.de\/blog\/2019\/02\/kurzkritik-mono-nowhere-now-here\/\" class=\"more-link\">\u2018Kurz\u00adkri\u00adtik: Mono \u2013 Nowhe\u00adre Now Here\u2019 wei\u00adter\u00adle\u00adsen \u00bb<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":3,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":""},"categories":[14,17],"tags":[],"series":[],"class_list":["post-14992","post","type-post","status-publish","format-standard","hentry","category-kaufbefehle","category-musikkritik"],"share_on_mastodon":{"url":"","error":""},"wp-worthy-pixel":{"ignored":false,"public":null,"server":null,"url":null},"wp-worthy-type":"normal","_links":{"self":[{"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/posts\/14992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/comments?post=14992"}],"version-history":[{"count":0,"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/posts\/14992\/revisions"}],"wp:attachment":[{"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/media?parent=14992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/categories?post=14992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/tags?post=14992"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/tuxproject.de\/blog\/wp-json\/wp\/v2\/series?post=14992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}